Monday, July 17, 2006

Back in the darkest days of Stalinist Russia, for all intents and purposes American movies were banned. Of all the fans, and potential fans, of American cinema, one person watched American movies, on a regular basis, with impunity. That person was Joseph Stalin, who was a rabid fan of American western movies, and many times during his last days would invite those among his inner circle to attend viewings, private screenings, of some of his favorites.

Unfortunately, most of them knew little English, some knew none at all, and so many times Stalin would avail himself of the services of Lavrentia Beria, his feared and hated NKVD Chief, to provide the translations, which, according to Nikita Khruschev, amounted to little more than relating what anyone watching the screen could easily see for themselves.

"He's leaving now", Beria would explain, and then, "now he's starting to run", would be a typical example given by Khruschev in his memoirs.

The Russian movie industry has come a long way, and in a lot of ways has come full circle. Now, not only are American movies allowed, and even encouraged to be sent into the country, but American movie companies are more and more taking advantage of what is a promising atmosphere and growing industry, with a better than 400 million population, to actually film movies in the Russian Republic.

Many of them, such as Disney, are taking baby steps, wary of throwing too much finances into what might turn out to be a relatively unstable environment. Still, they recognize the fact that the Russian film industry is indeed experiencing a boom, and unlike other nations film industries-such as India, for example-foreign investors are welcome and encouraged.

This is all thanks in large measure to Vladimir Putin, who, recognizing the sorry morass the industry found itself in following the fall of the former Soviet regime, decided to change things for the better.

During the Yeltsin era, movies produced in Russia were few and generally poor in quality. What few exceptions there were to this general rule, and there were excpetions, found audiences not in movie theatres, but on VHS and DVD. The old Soviet era movie theatres themselves were for the most part turned to other uses, such as stores and auto dealership displays.

So what did Putins governemnt do that made the difference, that has caused this turnaround? They have reinstituted the Soviet era policy of subsidizing the industry. Of course, this has the potential disadvantage, in time, of raising the spectre of the possibility of censorship, which might be another reason for the reluctance of foreign companies to involve themselves too deeply in this vital yet fledgling market.

Still, it has it's advantages as well. A big budget movie in the US might cost around forty million dollars. In Russia, it might well be made for around two milion dollars. And Russia is a huge country, with a great deal in the way of scenic beauty. And the Russians are friendly, and eager to learn from Hollywood professionals, who themselves stand to gain in the way of this somewhat unofficial cultural exchange.

Finally, Russia has a long history in filmaking, even during the heyday of the communist era, when they produced such classics as "The Potemkin". Although there might be some degree of limitations, which is unfortunate, they have an established history of quality. It will be interesting to see the results of the present movie industry boom.

The only thing I'm wary of is the potentially negative effects on the American movie industries unions, especially such underlings as the grips, best boys, and all the other incidental workers and laborers who provide vital services in the production of American films, and who only make a relatively decent living due to the influence of their unions. True, this has contributed to the increase in ticket prices, and Russian imports are unlikely to be any less expensive, yet more profitiable to the filmmakers involved-doubtless another reason for their interet, possibly the main reason.

On the other hand, if Jack Nicholson were to settle for two million dollars for a thirty minute part as oppossed to ten million or more, it might be a big help to our own industry.