The End To All Life On Mars

You couldn't beg for a better ending to a television series than that of the US version of Life On Mars, which was much different, and in fact better, than the ending to the original British series on which it was based. Unlike the ending to ER which came the next night and which was, while suitable for that type of series, entirely predictable, you would have had to have been Nostradamus on acid to be able to have predicted the ending to the ABC version of "Mars", which despite a devoted following struggled in the ratings.

The shows creators and writers not only ended the series, they gave what amounted to the perfect answer to the mystery of why Detective Sam Tyler (played by Jason O'Mara), upon being struck by an automobile in the year 2008, woke up inexplicably in the year 1973, where he ended up working in the same New York City police precinct. Was he insane, in a coma, the victim of an alien conspiracy experiment, placed inside a parallel universe of sorts? What was going on here? The details of his experience in the year 1973, where he met not only his mother and his criminal father (who seemingly died in the final episode trying to kill him), but his own self as a young child, seemed so completely detailed as to warrant dismissing the possibility of simple insanity.

Still, there were other things which were seemingly unexplainable. For one, why did he have the identification necessary to function in 1973, where he discovered he had been transferred from a place called Hyde. Why did he continually have bizarre hallucinations where he saw tiny robots crawling in and out of his nose and eyes? Why did he see people he knew in 2008 on television, sometimes talking directly to him, while it seemed he was still in that present year, in a coma inside a hospital? What was the reason for the bizarre threatening phone calls from a mysterious entity who only gave maddening hints as to the true reality of his situation. Why did certain people he met in 1973 during certain times seem to talk knowingly of his condition, then act as though the exchange never occured?

The final episode of the series finally revealed the answer that, in retrospect, would seem to be the only possible answer. When Detective Sam Tyler finally awoke from his hallucination, he found himself rising from a pod that had kept him in suspended animation for the past two years, and had formed a realistic neural stimulation program of his choosing that was designed to keep his brain active and functioning throughout this long sleep, during which he and his fellow astronauts-who happened to be all his co-workers at the 1973 police precinct-were in this suspended state in preparation for their mission, which was, indeed, to find evidence of "Life On Mars" in the form of a "Gene Hunt". This by the way happened to be the name of the hard-boiled detective who was his boss at the precinct, but who in real life turns out to be his father, also a member of the mission, along with "Detectives" Skelton, Carling, and Cartwright.

So what had gone wrong? Apparently, the ship had encountered a meteor storm, during which the ships computers suffered a glitch that seems to have only affected Tyler's pod. He had chosen to live the life of a New York City police detective in 2008, but inadvertently got knocked back to 1973, yet with his 2008 "memories" intact.

We are lead to assume that he will begin in reality the fantasy romance he imagined with Cartwright (Gretchen Mol), the Mars projects commander, who announced at the end of the show that she was ending her current relationship. Ray Carling (Michael Imperioli) seems to be as big a dick in the present as he was in 1973, discussing how in his fantasy life he was alone on a tropical island with countless woman. No, he was not the only man there, he went on to explain, just the only man there with a penis. Skelton seemed the same young, idealistic, and naive, yet quietly likable sort that he had been throughout the series, while the former "Gene Hunt" (played to perfection throughout the series by Harvey Keitel) provided the one slight hint that this ending too might not be everything that it seems to be on the surface. As he was the first to step onto the scorched, red, barren surface of Mars, he did so in the loafers he wore throughout the series. So was Sam dreaming this as well, or was this just a residual image in his mind of his very realistic journey to a past to which he never intended to journey? We will never know, and perhaps its just as well. Some things need to remain unanswered, and when a series ends this well, this satisfactorily-well, as the old saying goes, why mess with perfection?

Perhaps the strongest hint that the real answer may or may not have been given at the end is the fact that we saw the lives of the various characters of Life On Mars play out both with and without the presence of Sam Tyler, and in fact even during those occasions when he was miles and miles away from them.

Explainable, of course. Still, just enough of a question to make this that much more of a landmark series finale, which apparently ended for real, and for good, not in 1973 or 2008, but in the year 2035, during the Presidency of one of the daughters of Barak Obama, and with what was perhaps singly the most important answer of all. Wendy, the hippy neighbor who seemed to mysteriously know so much, yet would reveal so little (an evident necessity to assure the proper neuron stimulation functioning of the program) was in fact the computer that powered the ship on its long flight to Mars. Her constant use of the nickname "To Be" during the series was actually a gentle reminder to Sam that he was actually asleep in the neural stimulation suspended animation pod "2B".

Some people can indeed make this stuff up, and very admirably at that.